
Just finished reading this article from worldchanging. Land, what it’s significance is, how we percieve it, the sciences behind understanding and visualizing it are all thoughts that occupy my mind generally. Banff, and specifically the project that I am involved in have further expanded and sparked alot of these thoughts.
Regine Debatty of WorldChanging has just posted this interview with Agnes Meyer-Brandis an artist doing some pretty interesting work that spans Earth Science, art, and representation.
Enjoy a bit of the interview below. For the full talk, head over here
“Where does your interest for the hidden come from?
To answer this question I would have to stand up and jiggle my toes… I have always been passionately interested in what lies beneath my feet. I have always asked the question: What am I truly standing on?
What is your working process? do you make a lot of preliminary research about, say, the everyday life of an elf, or the physics behind icebergs? do you work alone or with a team?
Usually I begin with a hypothetical assumption, based on my interest and curiosity. Then I jump into the adventure. At first there is a lot investigative research. I’m interested in encircling my themes, which is to say, that I like to approach themes from as many angles as possible to arrive at a multifaceted perspective. In order to achieve this I interact and exchange ideas with many specialists such as: hydro- geologists, geophysicists, mineralogists, speleologists(cave explorers), biologists and artists, etc… with similar research focus. I am interested in what motivates their research and their methods and I like to take part in their field research in order to accumulate my own experience.
The background work behind the installations, everything that happens before I even get started in transforming my installation ideas into reality, is as exciting to me as seeing the final product. Unfortunately, it’s not possible to visualize all of my research activities and adventures in each installation. But I believe that these preliminary research activities and experiences enhance the quality and subsequent perception of the installation by the viewer.
For example during my preparations for Earth-Core-laboratory and Elf-Scan I travelled to several drilling locations. I journeyed in an elevator, down a salt mine in Borth, Germany, to a depth of 700 hundred meters in order to retrieve my core samples.
Another research project involved an excursion to the research station of the University of Tübingen in southern Germany. Before I knew it, I found myself up at 6AM birdwatching with ornithologists and biologists. In the end, I received a certificate in evolution biology.”